May 7, 2010
i’m in a state of recovery.
from my trip to maryland,
and my (second) masters program.
that’s right bitches, i’m graduating.
fatigue, aphasia, loss of time, peeling scalp,
and my room smells like sheep.
course of action?
milk shakes, knitting, find my watch, head and shoulders,
and stay out of my room.
i’m actually doing quite well, and enjoying finding all the pictures of me and my gams floating around the internet.
you can find them on:
and elsewhere. i know more people stopped me and asked for my photo than i’ve been able to track down. even with yvonne creating a ravelry thread about them.
but my favorite by far was taken by cristi:
because she kinneared me, and i love her for it.
in knitting news . . .
let’s keep in mind that i’m a relatively new knitter (less than two years),
but there is evidence mounting that my i’m maturing.
for instance, i now have a small stash.
and i have a project that is coming up on its one year anniversary:
my shetland tea shawl.
i find the signs disturbing.
so i’ve decided to fight these manifestations of conventional knitterdom,
and knit the shit out of this before it turns 1.
first step in attaining my goal?
casting on 449 stitches for the stora dimun knit along
(note my yarn ramekin and the perfect alpaca silk soufflé)
what can i say?
i’m a sheep.
April 20, 2010
in ten days, i’ll be headed to the maryland sheep and wool festival.
this will be my first fiber arts festival and i am totally stoked.
(my life is so small. please don’t judge me)
while it’s not as big as rhinebeck,
it’s supposed to be a pretty big deal.
for a while now, i’ve been hearing people (especially certain coworkers) talking about what they’ll be wearing to maryland.
apparently, wearing an exceptional hand knit is key.
i thought it was all about sheep and shopping.
evidently, it’s a “see and be seen” kinda thing too.