May 22, 2013
May 12, 2013
March 27, 2013
as you know,
i give away almost everything i knit.
i try as much as possible to put random positive energy into the universe, since, as @p12tog points out, i’m often an* horribly elitist person, especially when it comes to knitting.
(though i might actually be ok with that)
and since i feel that brighting some random person’s day through the power of the internets is a good investment in my karma because god knows my ubiquitous sarcasm, sass, and bitchiness
require a bit of equilibrium, today’s post
is an attempt at a double dose of karmic balancing.
first, i’m going to give away this boneyard shawl**
(it’s been a bit overcast the past few days)
the yarn is a two-ply fingering-sport weight spun by me
from some into the whirled bfl top i got at rhinebeck back in 2011.
this shawl’s been a loooong time in the making,
what with having to sneak time to spin and knit it
in the 5 free minutes i have every day.
just look at that craftsmanship
ok so maybe i couldn’t get the best macro shot.
just trust me.
it’s very well knit.
i knit it on 7’s and blocked this shit out of it
so it has a great drape and just enough wooliness for you traditionalists.
and here’s where the second dose of good karma comes in-
i rarely ever endorse anything,
(mostly because my readership isn’t large enough to warrant them)
but in this instance, i feel compelled to make an exception.
the short story is a very dear friend of mine in chicago, joshua herrington, started a business called gallerista. i’ve never seen this much drive and passion out of this guy before, and i find i’m quite impressed with his work ethic. recently, he began an indigogo campaign to turn his online business into a brick and mortar enterprise. i decided to blog about it, not just because he’s my friend (because a lot of my friends have some pretty far-out enterprises), but because i believe in supporting both queer-owned business and the arts. neither one has it very easy this days, and since i have no money of my own, really,
i do what i can.
and this is what i can do:
give away my shawl to help him raise some money.
how to win in three easy steps:
1) go to gallerista’s indigogo page and make a donation. my suggested minimum donations is $30 (so that you all can join me at the super secret launch party!) but if you can’t afford 30 dollars, donations in lower denominations are totally fine.
2) share the campaign somehow (tip: there are tools right there on the gallerista indigogo page to help you do that.
3) leave a comment so the random number generator can pick a winner.
i realize we’ve all been flooded with kickstarters and the like.
maybe you don’t even give a shit about queer-owned business or the arts. but i’m pretty sure you do like you some knitting.
so why not spin the wheel?
it’s not every day i spin and knit a shawl!
if you don’t want the shawl
or just don’t feel like donating,
if you could at least tweet or facebook or rav it,
i’ll personally reward you with some karmic princess points.
and if you’re reading this blog,
i’m pretty sure you could use some.
*i even use “an” before h-words.
**can i just say i love this pattern. i may even knit another one.
December 3, 2012
if you’ve been at this knitting thing long enough,
you’ve probably been exposed to a certain amount of spinning.
you may have even gone down the dark path to bliss that is weaving.
if this is the case,
then you’ve heard of judith mackenzie.
if you haven’t, please do crawl out from under that rock;
it can’t possibly be comfortable under there.
judith mackenzie is a textile ‘goddess’ as they say,
personally, i prefer the term ‘witch’,
but potAYto potAHto, right?
her book the intentional spinner is an invaluable, wee tome,
a must have for anyone who takes their fiber arts seriously.
(for real. go buy it now)
she’s also the artist in residence at the rainforest arts center in forks, washington. or rather,
last month the place burnt down,
taking all her fiber, wheels, and looms with it.
and one can’t really be an artist in residence if, well,
there’s no residence in which to be an artist.
including my good friend tina newton,
the maniacal brain behind blue moon fiber arts.
in order to help raise money for judith,
tina is auctioning off a day with her (and the chickens) in the blue moon dye barn.
this, my lovelies, is the treat of all treats. just imagine it:
a barn is tucked away just outside of portland oregan in the hilly hamlet of scappoose. in the middle of the woods, you see the chimney smoke and hear the of the ladies of the barn, a faint cackling as they dye up some lucky bitch’s sock yarn order. you also hear the gentle clucking of chickens and cheeping of chicks in the distance as tina takes your hand and shows you the magic happiness that is yarn, dye, and vinegar, a joy that has as yet been missing from your life. eight hours later, you walk away with an armful of yarn and a few extra points on the the ‘nice’ side of santa’s list for helping a fellow fiber artist get back on her feet.
(ok so the actual details can be found here, but my version sounds better and is equally accurate)
you have less than a day and a half to place your bids.
this is a serious auction, bitches; they’re not fucking around.
but if you’re looking for a once in a lifetime experience,
and i can guarantee you it will be,
then bid away, bitches!
if a day with tina is out of your budget, check out this website for other ways to help.
November 24, 2012
because i so rarely have any knitting content these days,
i thought i’d show you a new picture of some old work
that’s my friend misa a.k.a. craftivore,
wearing the green mist bohus hat i knit a while back.
when i first bought the bohus kit from solveig,
i imagined it would be for me.
as i was knitting it,
i soon realized it was meant for someone else.
i couldn’t just give it away to anyone.
i knew it had to be a knitter, at the very least.
but also a knitter who really understands this kind of knitting.
there are several people whose work online keeps me going:
the yarn harlot
the daily purl
to name just a few.
but since misa consistently inspires me with her colowork,
(i mean, have you seen this fucking dress?!)
i could think of no one else more deserving.
it took a while to get it to her
(there was this little trip to sweden that delayed things,
and there were the 1 billion ends that needed to be woven in)
but now she has it
and it looks lovely on her.
i even feel the itch to knit another.
who wants to buy me the grey version?
November 6, 2012
while bitches get stitches officially endorses president barack obama,
all i care is that you actually go out and vote.
the only reasonable excuses for not voting are:
a) you’re in a coma (wake up!)
b) you’re not a citizen (ok fine)
c) you didn’t register (shame on you!)
cauchy complete does it again, using quilting to get us really thinking and hopefully talking. somehow, this phrase is all the more eerie on a quilt.
Originally posted on completely cauchy.:
This whole controversy with Todd shoving his foot in his mouth stuck with me longer than most of these things do. So I kind of felt I had to dig a little deeper. Here we’ve side-stepped his whole ignorance of science, preserved in the title, in favor of a linguistic examination of his statement. Perhaps we’ll come back to that later?
Was struck by different interpretations of the meaning of “legitimate rape.” There are two veins within the comments on my related post from last week. That is, legitimate can be construed to mean justified or, alternatively, real/actual. I was in the latter camp in my understanding of Todd’s intent (indeed, he did correct himself to the party line of forcible (a word with its own issues)) and I feel remiss in missing the other possible connotation so clearly conveyed in the adjective legitimate.
I tossed around this…
View original 235 more words
August 23, 2012
i’m kind of sick.
i’m that kind of sick where spending the day in bed isn’t a choice.
i’m that kind of sick where my body feels the need to be entirely empty.
i’m that kind of sick where i hope mo will just pee on the floor so i won’t have to get out of bed to take him outside.
but for you, blog,
i’ll crawl all the way to the next room
to get my power cord out of my bag
to recall a happier time
just last sunday.
though i’ve been enjoy my summer hermitage,
i discovered lynae and adrienne,
dear friends of the knot hysteria variety,
were coming to my state for the michigan fiber festival.
lynae undertook quite a twitter campaign to ensure my presence.
and if she and drin could come from chicago,
i could make the trip from lansing.
though allegan seems to have held up better.
it felt like time passed a little bit slower there
and has been a lot kinder than in towns of my youth.
once i got over the initial uncanny nostalgia,
i felt right at home at a country fairgrounds
especially at a fiber festival.
the michigan fiber festival is what i’d call a diamond in the rough.
the fairgrounds are perfect for a really large festival,
something comparable in size to rhinebeck, honestly,
but it’s much, much smaller and lower key.
add that to the fact that i arrived at church time
and i got to enjoy the fairgrounds without the stress of the crowds.
perhaps that’s what’s reflected in these photos.
i didn’t feel the need to ‘just document everything’
and sort it all out later as i normally do.
instead, i took a more leisurely approach.
this is what i saw.
before i continue,
i have to preface this by saying most of these photos were illegally obtained. the man on the loud speaker announced that everything in the booths was proprietary and photography was forbidden. that little admonishment came right before the one telling parents not to let children maul the yarn with their sticky hands. (needless to say, being put in the same category as a child with chocolate-covered digits miffed me to no end) so this is just to warn you that, if you enjoy these photos, you may be aiding (and abetting?) in a crime after the fact. i just feel it’s my responsibility to warn you. and if any vendor sees a photo of her booth and takes issue with it, i’ll be happy to remove your free publicity.
briar rose definitely has one of the best booths, aesthetically.
it has a great mix of organization and planned carelessness
(read overflowing baskets of yarn here and there)
i’ve never had the chance to actually look at her stuff
since normally there’s a mob in the booth at rhinebeck.
overall i was drawn to her color aesthetic,
and she has some really nice bases,
but nothing needed to come home with me.
still, it wouldn’t have hurt to throw a ‘hello’ my way
as one of only two people in the booth at the time.
just sayin’. can’t hurt to be friendly.
(don’t worry. you weren’t alone. i wasn’t greeted at most of the booths)
then i saw this old familiar signthis bitch is at every festival.
i swear she must live for these shows. honestly, i loved that she was there. she’s like 10 feet tall and looks exactly like storybook spinner. i totally observe her every time i see her. she has this potent energy that just exudes ‘fiber festival’. someday, i’ll work up the courage to kinnear her, not just her sign. though part of me believes she’s a witch. i’m not sure camera’s will work on her. (her name’s even morgaine for christ’s sake! i’m just sayin’. don’t spill water on her, just in case)
then i yearned for boat shuttles.
the weaving goddess lisa kobeck told me using a boat shuttle will improve my selvedges, so i’ve been in the market for one for a bit.
(she also says buying a floor loom will help, but i need to be realistic)
i knew i wanted something handmade and fancy looking like these guys,
but they were just a bit too pricey for me.
i often forget my taste far exceeds my budget.
i think this display was part of the kessinich loom booth,
but i might be wrong.
miss babs is another one of those booths that’s generally mobbed
so it was nice to be able to take my time and really see her yarn.
again, i left without buying any yarn
(a testament to either my will or my poverty)
but did return for some fiber i just couldn’t pass up.
funny how the only thing i bought was from the place where someone actually said hi to me. it wasn’t the most enthusiastic welcome, but it was nice to have my presence acknowledged.
(these are presents so it doesn’t really count as buying anything right?)
there was this dress
about which i have no information because i was unprepared and had no notebook. i vaguely recall overhearing the pattern is forthcoming in knitty, but that could be total lies. i did give her my card so if she sees this, hopefully she’ll leave a comment and i’ll update the info.
(outtake: i even accidentally kinneared the dress. it needs to be seen!)
and these foxes
(zing!) i took their photo for my fiber festival friend in absentia, andrea,
who has ‘a thing’ for the farm boys at these fiber events.
thus far, she hasn’t gone home with one.
(that i know of)
but i’ve forgotten the best part!
a giant fucking rooster at the entrance!
i take this as a sign tina will one day come with me.
the chicken/rooster is, after all, her totem.
(we visited your yarn at the fold booth, tina!)
all in all a lovely day.
p.s. thanks for being my sugar momma, lynae,
when there was no atm to be found.
p.p.s while i began this post last night, at one point, i just couldn’t go on. i finished it this afternoon. i’m feeling better, but i’m still afraid to eat.
August 17, 2012
i have a confession to make about my last post.
it was what you might call, not entirely honest.
true, that photo was takes in the nest i’d made on the floor,
but i didn’t actually stay there.
it wasn’t for lack fo trying, mind.
it’s just that,
27 is the age at which
one is no longer able to sleep on the floor.
it’s frankly quite sad since my childhood was filled with instances of my curling up in unlikely spaces to rest. my favorite was the floor of the passenger side of my dad’s red chevey pickup.
adulthood is filled with sad milestones.
so where did i end up sleeping you ask?
well, while i couldn’t sleep on the hardwood,
i was able to channel my childhood talent for contortion,
and curled myself around the item on the bed,
covering the ends of the blocking wires
to avoid being impaled in the night.
which i suppose would be more impressive
if the item in question were bigger.
it was still, nonetheless,
mo upped the level of difficulty
by finding the one spot to curl up
that made any movement in the night impossible.
frankly, this item has been nothing but trouble from the start.
before i went to the knot hysteria gourmet retreat,
i suggested to my fellow retreaters
that we all do a knitalong.
i chose the aCute angle
because it had just been released
and seemed easy enough for us to complete in a weekend.
several people finished theirs in the blink of an eye,
but mine refused to even get started.
the first time, i twisted the join,
and didn’t notice for at least an inch.
the second time i cast on a number of stitches
that had absolutely nothing to do with the pattern.
(i think it was off by something like 12 stitches?)
once i’d finally got myself together,
it was the end of the second day
and my modifications* meant
i’d never finish that weekend.
i know i finished knitting it at some point,
but it sat for ages waiting to have its ends woven in.
then i let it have a nice soak and promptly forgot about it.
i don’t think silk is meant to soak for three days.
there’s something about the texture that feels . . . different now.
even this post has been needlessly delayed.
it’s been written for at least three days;
all it wanted was a final edit.
regardless, it came out beautifully,
and i thoroughly recommend this pattern.
it really is a snap for anyone whose mojo isn’t on the fritz,
(though blocking lace in the round presents its own unique challenge)
and this is one pattern where i think the yarn is perfectly matched.
(just note that, on ravelry, it’s currently misspelled as ‘a cute angle‘
losing all the fun wordplay in the title!)
now i just need to figure out who it’s for.
though, it might be perfect for mo.
tomorrow, the most irrelvant post i’ve ever written.
>glares at certain portland-based blogger<
à demain, bitches!
*aCute angle modifications: i added one pattern repeat and did seed stitch for the border rather than garter stitch.
August 7, 2012
i am frustrated. (get your head out of the gutter and focus, please)
i have literally been swatching for days for my rhinebeck sweater,
and frankly i’m thinking of throwing in the towel.
i want to make dale of norway’s liberec,
but i cannot for the life of me obtain the proper gauge.
(things might get technical and mathy after this)
the pattern was designed for either falk or heilo,
both of which are listed as sport-weight yarns.
i’ve decided to use blue moon fiber arts bfl sport
(which is amazing and if i ever figure this out,
you’ll get to see my amazing colors).
the gauge i’m supposed to obtain is 24sts/4″ on 3mm needles.
(my needle gauge says that’s a u.s. 3 but the internet says a u.s 3 is 3.25mm. anyway) on that needle, i was getting 30-32sts/4″.
i began to worry.
after swatching 5 times (5 times!!),
i’m up to a size 5 needle (3.75mm)
and i’m still not on gauge.
not to mention the fabric is loose for my taste.
how on earth are these norwegians getting that gauge on that needle?
then it hit me.
it’s not a sport-weight yarn. it’s dk.
ravelry says it’s sport.
the dale of norway website says it’s sport.
but it’s not. it can’t be.
i returned to ravelry. yep. heilo and falk are listed as sport.
then i saw the little ‘comments’ tab and my heart sank a little.
i clicked on it and what did i discover?
ravelers say it’s really more like a dk than a sport,
and even thicker than some yarns that are listed as a dk!
the only thing i can think of is dale of norway is calling their yarn sport-weight because they are knitting a dk yarn to a sport gauge on a smaller than standard needle (which will of course make a lovely thick fabric for skiing and improve stitch definition) rather than look at the actual diameter or wpi of their yarns.
in my despair, i considered just finishing the vest i was knitting/spinning for rhineback last year (and have secretly been working on this summer) since i was unable to complete it on time and has been hibernating ever since. then i remembered i’ve been emailing the designer because the pattern is wrong. i found one big error, and they sent me a corrected pattern. then i went to continue and found another. what really baffles me is how several people have ‘successfully’ knit the vest. how? the pattern it wrong! and it’s not something one can just figure out. i need the information from the designer!
(at what point should they offer me a refund?)
i have a decision to make.
since ravelry tells me the only colorwork sweaters i can knit with sport-weight yarn are by dale of norway, i must either do some math to make this sweater happen at the gauge i’m getting (we won’t even go into the horror of row gauge and color work). or i can just give up.
i have a significant amount of extra yarn for the main color.
maybe i’ll just forget colorwork all together.
i need to decide soon if i have any hope of finishing by rhinebeck.
i could use the advice.